Showing posts with label movie. Show all posts
Showing posts with label movie. Show all posts

Wednesday, March 9, 2011

There comes a time in every man's life and I've had many of them.


Sean Maguire: Thought about what you said to me the other day, about my painting. Stayed up half the night thinking about it. Something occurred to me… fell into a deep peaceful sleep, and haven’t thought about you since. Do you know what occurred to me?

Will Hunting: No.

Sean Maguire: You’re just a kid, you don’t have the faintest idea what you’re talkin’ about.

Will Hunting: Why thank you.

Sean Maguire: It’s all right. You’ve never been out of Boston.

Will Hunting: Nope.

Sean Maguire: So if I asked you about art, you’d probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life’s work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I’ll bet you can’t tell me what it smells like in the Sistine Chapel. You’ve never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you’d probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can’t tell me what it feels like to wake up next to a woman and feel truly happy. You’re a tough kid. And I’d ask you about war, you’d probably throw Shakespeare at me, right, “once more unto the breach dear friends.” But you’ve never been near one. You’ve never held your best friend’s head in your lap, watch him gasp his last breath looking to you for help. I’d ask you about love, you’d probably quote me a sonnet. But you’ve never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn’t know what it’s like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn’t know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms “visiting hours” don’t apply to you. You don’t know about real loss, ’cause it only occurs when you’ve loved something more than you love yourself. And I doubt you’ve ever dared to love anybody that much. And look at you… I don’t see an intelligent, confident man… I see a cocky, scared shitless kid. But you’re a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You’re an orphan right? [Will nods] You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally… I don’t give a shit about all that, because you know what, I can’t learn anything from you, I can’t read in some fuckin’ book. Unless you want to talk about you, who you are. Then I’m fascinated. I’m in. But you don’t want to do that do you sport? You’re terrified of what you might say. Your move, chief.

Friday, March 4, 2011

I have been through some terrible things in my life, some of which actually happened















Keating is seated at his desk. He is writing a letter and occasionally
looks up at the framed photo on his desk of a woman playing the cello.
There is a knock at the door.

KEATING
It’s open.

Neil enters and closes the door behind him. He appears to be nervous.

KEATING
Neil, what’s up?

NEIL
Can I speak to you a minute?

KEATING
Certainly. Sit down.

Neil goes to take a seat but notices the chair is piled up with books.
Neil picks them up and Keating gets up from his seat to help him.

NEIL
I’m sorry. Here.

KEATING
Excuse me. Get you some tea?

NEIL
Tea. Sure.

Keating goes to a table in the corner and begins pouring several cups.

KEATING
Like some milk or sugar in that?

NEIL
No, thanks.

NEIL
Gosh, they don’t give you much room
around here.

KEATING
No, it’s part of the monastic oath. They
don’t want worldly things distracting me
from my teaching.

Keating gives Neil a cup of tea and they return to their seats. Neil
looks at the photo on the desk.

NEIL
She’s pretty.

KEATING
She’s also in London. Makes it a little
difficult.

NEIL
How can you stand it?

KEATING
Stand what?

NEIL
You can go anywhere. You can do
anything. How can you stand being here?

KEATING
‘Cause I love teaching. I don’t wanna be
anywhere else.

KEATING
What’s up?

NEIL
I just talked to my father. He’s making
me quit the play at Henley Hall.
Acting’s everything to me. I– But he
doesn’t know. He– I can see his point.
We’re not a rich family like Charlie’s,
and we– But he’s planning the rest of
my life for me, and I– H-He’s never
asked me what I want.

KEATING
Have you ever told your father what you
just told me? About your passion for
acting. You ever show him that?

NEIL
I can’t.

KEATING
Why not?

NEIL
I can’t talk to him this way.

KEATING
Then you’re acting for him, too. You’re
playing the part of the dutiful son. I
know this sounds impossible, but you
have to talk to him. You have to show
him who you are, what your heart is.

NEIL
I know what he’ll say. He’ll tell me
that acting’s a whim, and I should
forget it. That how they’re counting on
me. He’ll just tell me to put it out of
my mind, “for my own good.”

KEATING
You are not an indentured servant. If
it’s not a whim for you, you prove it to
him by your conviction and your passion.
You show him that And if he still
doesn’t believe you, well, by then
you’ll be out of school and you can do
anything you want.

A tear falls down Neil’s cheek and he wipes it away.

NEIL
No. What about the play? The show’s
tomorrow night.

KEATING
Well, you have to talk to him before
tomorrow night.

NEIL
Isn’t there an easier way?

KEATING
No.

NEIL
I’m trapped.

KEATING
No, you’re not.

Thursday, December 30, 2010

Originality is the fine art of remembering what you hear but forgetting where you heard it


As he watched her walk away, he feels a loss. How is it possible, he thinks, to miss a woman whom he kept at a distance so that when she was gone he would not miss her? Only then does he realize that wanting part of her and not all of her had hurt them both and how he cannot justify his actions except that… well… it was life.

-- shopgirl

Sunday, March 7, 2010

Hard things are put in our way, not to stop us, but to call out our courage and strength



some fav lines from 500 days of summer

day 488 - at the park...

Summer: I woke up one morning and I just knew.
Tom: Knew what?
Summer: What I was never sure of with you.

Summer: One day I'm reading Dorian Grey at the
corner deli and this guy sits down
and starts asking about it. Now
he's my husband!
What would have happened if I went
to the movies instead? If I went
somewhere else for lunch? If I
showed up to eat ten minutes later?
Tom, it was meant to be, just like
you said. And as it was happening,
I knew it. I could feel it, sure as
the sun. And I kept thinking to
myself "Holy shit. Tom was right."
You were right about all of it.

It just wasn't me you were right
about.

Tuesday, December 8, 2009

I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear


Rois et reine (2004)
(Kings & Queen)

Director: Arnaud Desplechin

Epilogue

scene:
a visit to museum

Ismael: well...ive missed you, my little boy
kid: it's been a long time
Ismael: your mother has asked me to adopt you. do you know about that?
kid: yes
Ismael: ive thought about it and ive decided that it's not a good idea. i came here to tell you that. you're not speaking?
kid: im thinking of ideas
Ismael: you see, your mum and i were so much in love, that i ended up meeting you as well. how old were you? three? four?
kid: i forget
Ismael: since it was true love and you were tiny, i simple adored you and got along with you. as i told you once, one thing that im very proud of in my life is knowing you.
kid: is that true?
Ismael: yes, its true. that's how you and i became an "almost family". i never knew your dad but i think he was a great guy.
kid: really?
Ismael: he gave you a load of things: your name, your face...so you already have a father. ok, he's dead. that's sad. but it was before you were born and it's not easy to mourn a stranger. there's a german poem about a boy whose mother is dead. "your mother's soul lashes out at the sharks before you." that poem always reminds me of you coz i think your dad's soul protects you from sharks. so it wouldnt be a good idea for me to pretend to be your father now. your mother used to say you and i should be friends. but a grown-up and a child shouldn't be friends. i know that when i was little, i didnt like those grown-ups who'd try to charm me or try to establish complicity with me.
kid: what's complicity?
Ismael: complicity is being pals, it's sharing secrets. when i was little, i stole from stores a lot.
kid: you stole from stores?
Ismael: or we'd attack the girls at school. but i didnt want to attack girls or steal from stores with a grown-up. so, pretending to be your friend would be another lie. you shouldnt have to decide whether you like me or not. i dont care. im the grown-up. when i looked after you at times i'd annoy you but at others you'd adore me. i carry you in my heart now, even if you turn into a total bastard or i dont see you for 1279 years. i have to think about you because i enjoy doing it. as a child, you dont have to think about grown-ups or about me. unless you need to.
you see, the past isnt what has vanished. no, it's what belongs to us.
kid: i dont understand
Ismael: what belongs to us now are the memories we both have. it's weird, isnt it? because there's no name for what we share. i looked after you for seven years. a long time. but it's over. ill tell you what bothers me. firstly, you're a introverted little boy. secretive, say. but that's not failing, it's a quality. as a boy, i couldnt manage to speak so i used to stammer.
kid: is that true?
Ismael: yes, it is. as for you, you're just a little reserved. in return, life has given you a rich soul. that way, when you feel lonely, you can retreat to you inner garden to chat with your imagination. i remember your poems in primary school and you're a true poet. but i can imagine it's not always pleasant for you. a secret treasure is a good thing but it musnt become a burden. if it does, i see you locked up on your thoughts, that hurts me and i want to free you. and i wonder what fear or anger makes you flee the world.

lastly...

Ismael: this is the only advice i have for now: of coz we're always right. but it's always possible that we could be a bit wrong too. being a bit wrong is a very good news! it means you dont have the whole answer. that life will be more exciting and full of surprises that you thought.

Wednesday, November 25, 2009

The trouble with normal is it always gets worse


** from the movie (500) days of summer - i was that guy....

Tom : No, you know what ? I’m not going anywhere until you tell me what’s going on.
Summer : Nothing’s going on. We’re just ..
Tom : We’re just what ? Just what ?
Summer : We’re just friends …
Tom : No. Don’t pull that with me. Don’t even try. This is not how you treat your friend. Kissing in the copy room, holding hands in Ikea, shower sex … Come on, friends my balls.
Summer : I like you, Tom. I just don’t want a relationship.
Tom : Well, you’re not the only one who gets a say in this ! I do too ! and I say we’re a couple, god damn it !
when someone bought a new pair of shoe but the label still stuck at the bottom, annoys me.

Wednesday, September 2, 2009

The real distinction is between those who adapt their purposes to reality and those who seek to mold reality in the light of their purposes


Japanese: ぐるりのこと (Gururi no koto - All Around Us)
Year: 2008
Director/ Writer: Ryosuke Hashiguchi
Cast:
Lily Franky, Tae Kimura, Mitsuko Baisho, Susumu Terajima, Tamae Ando, Norito Yashima, Minori Terada, Akira Emoto, Yuichi Kimura, Yusuke Saito, Yoichi Nukumizu, Rie Minemura, Takashi Yamanaka, Ryo Kase

The Skinny:
Ryosuke Hashiguchi's first film in seven years is a wonderful exploration into a couple and their struggles with depression and contemporary Japanese society. With Tae Kimura's award-winning performance and Hashiguchi's assured direction, this is one of the finest Japanese films of 2008.

就在这里- 我哭了。

我不知道怎么办才好;
不是所有事都能那么顺利的;
本来想做得更好些的、, 可是,就是做不好, 可能已经怀不上孩子了;
只要一直把孩子放在心上就好了, 不要遗忘他就可以了;
你对很多事情都太在意了, 老想那么多, 就算被别人讨厌也无所谓啊,重要的是让自己喜欢的人喜欢自己;
喜欢的人不知道是否和自己心意相通;明明一直在身边;却不知道是否是为了我在一直在身边的;
没事的, 怎么会这样想呢?
总觉得, 明明知道正相行渐远,却不知道怎么办才好;
都说是你想太多了, 想太多了才多出这些莫名其妙的问题,没事的;
为什么,为什么要和我在一起?
因为爱你, 因为爱你才想和你在一起的, 如果你不在了,我也会很痛苦的,有些事情做不好就算了,好好在一起吧;
本来想好好做的, 可是就是做不好;
对不起,对不起;
对不起,对不起。。。。。。

Sunday, July 19, 2009

It is not easy to find happiness in ourselves, and it is not possible to find it elsewhere

"What don't I understand, Cara? Please, help me out. What is it? Is it frustrating that you can't be with this person? That there's something keeping you apart? That there's something about this person that you can connect with? And whenever you're near this person, you don't know what to say, and you say everything that's in your mind and in your heart, and you know that if you could just be together, that this person would help you become the best possible version of yourself?"

Sunday, May 31, 2009

Maturity is achieved when a person postpones immediate pleasures for long-term values.


When you make love to a woman you get revenge for all the things that defeated you in life.
everything starts to change when you realize that someone is someone you care about.
http://www.austinchronicle.com/binary/4f1f/YouKillMe.jpg
"i like older guy, they done experiencing and wont get up the next day realise that they're gay" - You Kill Me.

Sunday, April 26, 2009

Love is or it ain't. Thin love ain't love at all.

"always do what is right, because it is right."

it has been so long that i have not cried so much for a movie;
.....this is the movie.

Wednesday, March 11, 2009

I can't live without you. The thought of leaving you kills me. Do you love me?

Michael: I'm not frightened. I'm not frightened of anything. The more I suffer, the more I love. Danger will only increase my love, will sharpen it, will give it spice. I will be the only angel you need. You will leave life even more beautiful than you entered it. Heaven will take you back and look at you and say: "Only one thing can make a soul complete and that thing is love."